{"id":18046,"date":"2021-05-24T13:49:37","date_gmt":"2021-05-24T13:49:37","guid":{"rendered":"https:\/\/intiaudiovisual.com\/what-is-screenplay\/"},"modified":"2023-05-21T11:00:06","modified_gmt":"2023-05-21T11:00:06","slug":"what-is-screenplay","status":"publish","type":"post","link":"https:\/\/intiaudiovisual.com\/en\/what-is-screenplay\/","title":{"rendered":"What is a screenplay?"},"content":{"rendered":"\n<p>A screenplay refers to a written <strong>document<\/strong> in which actions, dialogue, and, to a certain extent, the setting, are indicated.<\/p>\n\n<p>This generic definition serves as a <strong>starting point<\/strong> for understanding all types of scripts that exist and their unique characteristics. <\/p>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Que-es-un-guion-1024x436.jpg\" alt=\"what is a screenplay\" class=\"wp-image-15720\" srcset=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Que-es-un-guion-1024x436.jpg 1024w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Que-es-un-guion-300x128.jpg 300w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Que-es-un-guion-768x327.jpg 768w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Que-es-un-guion-1536x654.jpg 1536w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Que-es-un-guion.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<h2 class=\"wp-block-heading\">Types of screenplays according to their literary genre:<\/h2>\n\n<h3 class=\"wp-block-heading\">Theatre Scripts<\/h3>\n\n<p>These types of scripts contain both <strong>actions and dialogue,<\/strong> as well as the technical requirements for the play&#8217;s development. One of its characteristics is the use of many parentheses as <strong>annotations<\/strong> to detail the needs for <strong>scenography, costumes, <a href=\"https:\/\/intiaudiovisual.com\/en\/sonido-y-audio\/\" target=\"_blank\" rel=\"noreferrer noopener\">sound<\/a>, and <a href=\"https:\/\/intiaudiovisual.com\/en\/photography-and-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">lighting<\/a>.<\/strong><\/p>\n\n<h4 class=\"wp-block-heading\">Elements of a theatrical script<\/h4>\n\n<p>The most essential <strong>elements<\/strong> of a theatrical script are:<\/p>\n\n<ol class=\"wp-block-list\"><li>The <strong>ac<\/strong>t, with a unitary sense,<strong> <\/strong>is composed of several scenes. It corresponds to the main divisions of the work, such as the <strong>beginning<\/strong>, the <strong>knot<\/strong>, and the <strong>end<\/strong>. <\/li><li>The <strong>scene<\/strong> composes the core of the dramatic action, usually developed in the same physical place and with the intervention of the same characters.<\/li><li>The <strong>speeches<\/strong> are the dialogues of the characters themselves, depending on the interlocutors they can be monologues or dialogues.<\/li><li>The tableau is the part of the act composed of the same scenography.<\/li><\/ol>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"EL TEATRO Y EL GUI\u00d3N TEATRAL\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/NxEDnodAMHo?list=PLJZ72MwUZSk8EvK97pWOAMH9zpaMqTODe\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h3 class=\"wp-block-heading\">Screenplay<\/h3>\n\n<p>The screenplay <strong>differs<\/strong> in some aspects from the theatrical script. Despite sharing the main characteristics of the script as a literary document, the screenplay contains <strong>less information<\/strong> about technical requirements such as scenography, costume, lighting&#8230; besides containing a somewhat different format and structure.<\/p>\n\n<p>How to convert a good script into a film script <\/p>\n\n<h4 class=\"wp-block-heading\">Format of a screenplay<\/h4>\n\n<p>The most notable <strong>characteristics<\/strong> regarding the format of screenplays are:<\/p>\n\n<ol class=\"wp-block-list\"><li>They are divided into <strong>sequences or scenes<\/strong>; a sequence is a fragment of the story that takes place in the same place and time.<\/li><li>All film scripts are written in <strong>Courier New font, size 12.<\/strong> This is because it is the most suitable format for trying to extrapolate a page of the script into a minute of film footage.<\/li><\/ol>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\u00bfQu\u00e9 es el guion de Cine?\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vDzdAiwRaDw?list=PLJZ72MwUZSk8EvK97pWOAMH9zpaMqTODe\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h3 class=\"wp-block-heading\">TV Series Screenplay<\/h3>\n\n<p><a href=\"https:\/\/intiaudiovisual.com\/guiones-de-series\/\" target=\"_blank\" rel=\"noreferrer noopener\">Screenplays for TV series<\/a> are very similar to those for films. Here is how you can distinguish them.<\/p>\n\n<h4 class=\"wp-block-heading\">Differences between a TV and film script<\/h4>\n\n<p>The main difference from which the rest derive is obviously the <strong>duration of the work.<\/strong> A movie script lasts approximately between one and three hours while a TV script is composed of several episodes of between 20 minutes and one hour.<\/p>\n\n<p>This characteristic means that the ways of expressing and conveying to the viewer from the <strong>screenplay are different.<\/strong> Mainly, the <strong>evolution<\/strong> of the story and the characters has to be much <strong>faster in movies.<\/strong><\/p>\n\n<p>Which is <strong>harder<\/strong> to write? There is no single answer, <strong>each one has a complication<\/strong> as they are different ways of telling a story. <\/p>\n\n<p>Getting the viewer to empathize with the characters in a short period of time is a tough job, on the other hand, maintaining interest throughout an entire series is not an easy task.<\/p>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Diferencias-entre-un-guion-televisivo-y-cinematografico-1024x436.jpg\" alt=\"Differences-between-a-television-and-film-screenplay\" class=\"wp-image-15715\" srcset=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Diferencias-entre-un-guion-televisivo-y-cinematografico-1024x436.jpg 1024w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Diferencias-entre-un-guion-televisivo-y-cinematografico-300x128.jpg 300w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Diferencias-entre-un-guion-televisivo-y-cinematografico-768x327.jpg 768w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Diferencias-entre-un-guion-televisivo-y-cinematografico-1536x654.jpg 1536w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Diferencias-entre-un-guion-televisivo-y-cinematografico.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<h2 class=\"wp-block-heading\">Types of screenplays according to their form:<\/h2>\n\n<p>There are <strong>three types<\/strong> of screenplays according to their form and intentionality:<\/p>\n\n<h3 class=\"wp-block-heading\">Literary screenplay<\/h3>\n\n<p>This type refers to the previously mentioned scripts, which are scripts in which the story is <strong>narrated in a linear manner<\/strong> and without a high technical content for its recording or representation.<\/p>\n\n<h3 class=\"wp-block-heading\">Technical screenplay<\/h3>\n\n<p>This script&#8217;s mission is to concisely <strong>convey<\/strong> to the entire <strong>film crew<\/strong> <strong>how<\/strong> they want to represent and <strong>record.<\/strong> This script indicates both the <a href=\"https:\/\/intiaudiovisual.com\/en\/types-of-shots\/\">shot sizes<\/a> and frames, optics to be used, image filters or movements.<\/p>\n\n<h3 class=\"wp-block-heading\">Storyboard<\/h3>\n\n<p>This type of script is very similar to the technical script, it contains fewer data in relation to optics or filters but instead contains a <strong>pictorial representation<\/strong> of the sequences, i.e., drawings representing the different shots that the director wishes to shoot.<\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"COMO HACER UN STORYBOARD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lLcok2OfnCA?list=PLJZ72MwUZSk8EvK97pWOAMH9zpaMqTODe\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\">History of the Screenplay<\/h2>\n\n<p>Cinema began when the Lumiere brothers created the <strong>cinematograph<\/strong> (not to be confused with the <a href=\"https:\/\/intiaudiovisual.com\/que-estudiar-si-quieres-trabajar-en-cine-videojuegos-o-cualquier-audiovisual\/\">profession<\/a> of <a href=\"https:\/\/intiaudiovisual.com\/en\/three-point-lighting\/\">cinematography<\/a>) <strong>in 1895<\/strong>, a device capable of capturing images and later projecting them. <\/p>\n\n<p>Initially, the recordings <strong>did not have any kind of guidance<\/strong>, not even when movies with a narrative development such as dramas or comedies began to be made. <\/p>\n\n<p>Directors communicated what they envisioned and performed the filming and editing <strong>based on the images in their heads.<\/strong><\/p>\n\n<p><a href=\"https:\/\/www.biografiasyvidas.com\/biografia\/i\/ince.htm\" target=\"_blank\" rel=\"noreferrer noopener\">Thomas Harper Ince<\/a>, one of the great producers of the early era of cinema, introduced the <strong>process of writing a detailed screenplay<\/strong> at both the literary and technical level in his productions in 1912 to <strong>optimize productions.<\/strong><\/p>\n\n<p>The writing of both the technical and the literary screenplay is of vital importance to <strong>minimize costs<\/strong> and achieve a result in line with expectations.<\/p>\n\n<p>Many directors were <strong>still reluctant to write these screenplays<\/strong>, for example <a href=\"https:\/\/www.alohacriticon.com\/cine\/actores-y-directores\/charles-chaplin\/\" target=\"_blank\" rel=\"noreferrer noopener\">Charles Chaplin<\/a>, who was very individualistic in the making of his films. This trend <strong>faded during the 1930s<\/strong> along with the appearance of <strong>direct sound<\/strong> in cinema.<\/p>\n\n<p>The advent of sound caused a <strong>major restructuring within cinema<\/strong>, all professionals had to reinvent themselves and all production and filming rules were changed.<\/p>\n\n<p>The appearance of <strong>dialogues<\/strong> was the key point necessary for scripts to become <strong>mandatory<\/strong> in the process of making a movie.<\/p>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Historia-del-guion-1024x436.jpg\" alt=\"history-of-screenplay\" class=\"wp-image-15717\" srcset=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Historia-del-guion-1024x436.jpg 1024w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Historia-del-guion-300x128.jpg 300w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Historia-del-guion-768x327.jpg 768w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Historia-del-guion-1536x654.jpg 1536w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Historia-del-guion.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<h2 class=\"wp-block-heading\">The rhythm in the narrative structure of a screenplay<\/h2>\n\n<p>Recapitulating, the <strong>screenplay<\/strong> is a text in which the story, the actions and dialogues of the characters, and the spaces and times are detailed. <\/p>\n\n<p>The <strong>rhythm<\/strong> of the screenplay refers to how actions take place within it, its passage through the different acts, and the use of <strong>turning points.<\/strong><\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Formato Universal del Gui\u00f3n Cinematogr\u00e1fico - En Clase\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/yDtB8mKCD3o?list=PLJZ72MwUZSk8EvK97pWOAMH9zpaMqTODe\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h3 class=\"wp-block-heading\">The story within a screenplay<\/h3>\n\n<p>The first thing to take into account is the <strong>story<\/strong>, as it is what tries to be conveyed primarily. To understand the story it is necessary to understand the following concepts:<\/p>\n\n<ol class=\"wp-block-list\"><li>The <strong>plot<\/strong> is the set of events ordered <strong>chronologically<\/strong>. This plot is composed of three parts:<ol><li>The <strong>beginning<\/strong>, where the characters and their context are presented.<\/li><li>The <strong>knot<\/strong>, preceded by a conflict that complicates the usual development of the character and their world. At this stage, the characters will try to resolve the conflict.<\/li><li>The <strong>denouement<\/strong> is the stage at which this conflict is resolved.<\/li><\/ol><\/li><li>The <strong>turning points or points of inflection<\/strong> are those points at which the plot takes on a new narrative line, coincide with the internal <strong>stage changes<\/strong> of the screenplay detailed above.<\/li><li>The <strong>conflict<\/strong> is the turning point that begins the story, until then the screenplay merely introduces the characters, their personality, and their surroundings. The conflict is what generates an <strong>evolution<\/strong> both in the characters and in the plot since it moves these characters outside the world they are used to living in. It could be said that the conflict is the <strong>immovable engine of the story.<\/strong><\/li><li>The <strong>actions<\/strong> are the units of <strong>movement<\/strong> of the characters.<\/li><li>The <strong>text<\/strong> refers to what the characters <strong>say.<\/strong><\/li><li>The <strong>subtext<\/strong> is what the characters say <strong>indirectly<\/strong>, that is, without using dialogue.<\/li><\/ol>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"HISTORIA DEL GUION\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1R45Q4R0RfU?list=PLJZ72MwUZSk8EvK97pWOAMH9zpaMqTODe\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<h3 class=\"wp-block-heading\">Characters <\/h3>\n\n<p>Characters are <strong>fictional beings<\/strong> created by an author who intervene in the development of a story, these characters must be <strong>complete<\/strong>, that is, have a <strong>personality consistent<\/strong> with their context and their background.<\/p>\n\n<p>Characters can be very <strong>varied and different<\/strong>, to label them we can use different categories such as:<\/p>\n\n<h4 class=\"wp-block-heading\">Function<\/h4>\n\n<p>Depending on their <strong>importance<\/strong> we can distinguish <strong>two types<\/strong> of characters:<\/p>\n\n<ol class=\"wp-block-list\"><li>The <strong>main characters<\/strong>, are those who <strong>evolve the plot<\/strong> and control the story, these characters <strong>evolve<\/strong> meaning they go from point A to point B throughout the story, there are <strong>two types<\/strong> of main characters.<ol><li>The <strong>protagonists<\/strong> are those in which the story focuses, that is, they are the ones who <strong>move the story<\/strong> itself. These can be <strong>heroes<\/strong>, characters who believe in and defend the values of society, or <strong>antiheroes<\/strong>, characters who believe in the values of society but not in its system or operation. These latter do not process the need for an antagonist in the screenplay.<\/li><li>The <strong>antagonists<\/strong> are those characters who <strong>oppose<\/strong> the protagonist and hinder their objective, supporting and <strong>enhancing the screenplay&#8217;s own conflict<\/strong>. For this reason, stories with an antihero protagonist do not require an antagonist for the story&#8217;s development.<\/li><\/ol><\/li><li>The <strong>secondary characters<\/strong>, also called supporting characters in the film world, <strong>serve to support<\/strong> both the protagonists and the antagonists. Each secondary character has their <strong>own story<\/strong> within the narrative called <strong>subplots.<\/strong><\/li><\/ol>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"436\" data-id=\"15718\" src=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/La-funcion-de-los-personajes-en-un-guion-1024x436.jpg\" alt=\"the-function-of-characters-in-a-screenplay\" class=\"wp-image-15718\" srcset=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/La-funcion-de-los-personajes-en-un-guion-1024x436.jpg 1024w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/La-funcion-de-los-personajes-en-un-guion-300x128.jpg 300w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/La-funcion-de-los-personajes-en-un-guion-768x327.jpg 768w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/La-funcion-de-los-personajes-en-un-guion-1536x654.jpg 1536w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/La-funcion-de-los-personajes-en-un-guion.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n<h4 class=\"wp-block-heading\">Composition<\/h4>\n\n<p>Depending on their composition we can distinguish <strong>two types<\/strong> of characters:<\/p>\n\n<ol class=\"wp-block-list\"><li><strong>Round<\/strong> characters: These are very <strong>complex<\/strong> characters with a twisted personality and many nuances. This type of character usually presents significant <strong>internal conflicts<\/strong> and tends to have a very marked <strong>evolution<\/strong> throughout the plot.<\/li><li><strong>Flat<\/strong> characters: These are characters with <strong>little depth<\/strong>, they do not have very marked characteristics or a notable personality. Throughout the plot, they usually do not present <strong>any kind of evolution<\/strong> either in personality or in action.<\/li><\/ol>\n\n<h4 class=\"wp-block-heading\">Movement<\/h4>\n\n<p>Regarding the internal movement of the character, we could define <strong>two types:<\/strong><\/p>\n\n<ol class=\"wp-block-list\"><li><strong>Dynamic<\/strong> characters are defined by their <strong>constant evolution<\/strong>, they are characters that do not stop changing throughout the story. Precisely this causes them to be <strong>unfinished<\/strong> characters, that is, to understand their view of the world we must evolve with them and the plot.<\/li><li><strong>Static<\/strong> characters usually respond to <strong>socially established models<\/strong>, so it is easy to know them through the narrator or the plot itself, this character model does not respond to evolution but remains <strong>flat<\/strong> throughout the story.<\/li><\/ol>\n\n<h4 class=\"wp-block-heading\">Archetypes and Stereotypes<\/h4>\n\n<p>An <strong>archetype<\/strong> is a character model that coexists in the collective unconscious, that is, it responds to structures <strong>mentally pre-established<\/strong> by society.<\/p>\n\n<p>A <strong>stereotype<\/strong> is a socially accepted <strong>idea<\/strong>, it gives the character aspects that society sees as <strong>correct and unchanging<\/strong>, like the character itself.<\/p>\n\n<h4 class=\"wp-block-heading\">Character presentation in a screenplay<\/h4>\n\n<p>The presentation of the character is of vital importance for a <strong>better understanding of it<\/strong>, in addition to achieving <strong>greater empathy<\/strong> in the viewer. There are different ways of presenting characters, almost as many as there are characters, but all respond to the same intention.<\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.youtube.com\/watch?v=BzsjxzPXMaE&#038;list=PLJZ72MwUZSk8EvK97pWOAMH9zpaMqTODe&#038;index=6\n<\/div><\/figure>\n\n<h2 class=\"wp-block-heading\">Documentation process for writing a screenplay<\/h2>\n\n<p>To write a screenplay, the documentation work is essential. Before trying to create a story we must <strong>cultivate<\/strong> ourselves and later specifically study how <strong>people<\/strong> live and what the <strong>worlds<\/strong> are like in which we want to introduce our screenplay.<\/p>\n\n<p>The documentation process depends a lot on each screenwriter and each specific project, it is interesting to <strong>research different methods of documenting<\/strong> and seeking inspiration to create stories.<\/p>\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"436\" src=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Proceso-de-documentacion-para-escribir-un-guion-1024x436.jpg\" alt=\"documentation-process-for-writing-a-screenplay\" class=\"wp-image-15719\" srcset=\"https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Proceso-de-documentacion-para-escribir-un-guion-1024x436.jpg 1024w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Proceso-de-documentacion-para-escribir-un-guion-300x128.jpg 300w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Proceso-de-documentacion-para-escribir-un-guion-768x327.jpg 768w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Proceso-de-documentacion-para-escribir-un-guion-1536x654.jpg 1536w, https:\/\/intiaudiovisual.com\/wp-content\/uploads\/2021\/05\/Proceso-de-documentacion-para-escribir-un-guion.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<p>In general terms, we could define the documentation process for writing a screenplay in the following phases:<\/p>\n\n<ol class=\"wp-block-list\"><li><strong>Searching for inspiration:<\/strong> In this part of the process we will simply try <strong>to observe<\/strong> the world and the people around us, there are very simple exercises like going to disparate places to observe people and imagine their lives, conflicts, personalities\u2026 what are their houses, their closets etc. In short, in this phase we have to open our eyes, ears and minds to let the information <strong>organically enter our imagination.<\/strong><\/li><li><strong>General documentation:<\/strong> Once the genre and theme of the work have been determined, it is time to outline the story and generally document ourselves about the types of people that usually converge on our target. To do this, we will look for <strong>information about the world surrounding these people.<\/strong><\/li><li><strong>Specific documentation:<\/strong> This process involves delving into the worlds previously studied, looking for more concrete people and <strong>moving away from statistics<\/strong>. Try <strong>to live with them<\/strong> and <strong>understand<\/strong> their schedules, their personalities, and their way of seeing the world. If we are not able <strong>to empathize with our character<\/strong>, it is difficult to create arcs and evolutions in our plot.<\/li><\/ol>\n","protected":false},"excerpt":{"rendered":"<p>What is a screenplay? What types of screenplays are there? How to write a screenplay? 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