{"id":18087,"date":"2022-09-19T18:12:16","date_gmt":"2022-09-19T18:12:16","guid":{"rendered":"https:\/\/intiaudiovisual.com\/parallel-compression\/"},"modified":"2023-05-22T17:25:10","modified_gmt":"2023-05-22T17:25:10","slug":"parallel-compression","status":"publish","type":"post","link":"https:\/\/intiaudiovisual.com\/en\/parallel-compression\/","title":{"rendered":"Parallel compression. What is it? How to use it?"},"content":{"rendered":"\n

Parallel compression, also known as New York style compression, is a mixing technique that involves adding a strong dose of compression to an audio track while still allowing the original dynamics to shine through. The result is a thick, punchy sound. <\/p>\n\n\n\n

Although parallel compression can be used on any type of audio, it is particularly suitable for drums and other percussion instruments. When used correctly, parallel compression can give your tracks a professional sheen that will make them stand out from the rest. <\/p>\n\n\n\n

However, it’s important to avoid going overboard, as too much compression can result in a muddled sound. If you want to add a bit of punch to your tracks, it’s worth checking out parallel compression. <\/p>\n\n\n\n

How to do parallel compression?<\/h2>\n\n\n\n

Unlike traditional compression methods, which involve compressing the signal of an entire mix at once, parallel compression involves compressing different parts of the mix separately and then combining them. While this may seem like a more complicated method, it can actually be quite straightforward to set up. <\/p>\n\n\n\n

First, create two duplicate tracks of your audio. Then, apply compression to one of the tracks and leave the other uncompressed. Next, adjust the levels of both tracks so that the compressed track is quieter than the uncompressed one. Finally, blend the two tracks to taste. By following these steps, you can achieve a volume boost without sacrificing clarity or dynamic range. <\/p>\n\n\n\n

The best plugins for parallel compression (and how to use them) <\/h2>\n\n\n\n

If you want to add a bit of punch, depth, and power to your tracks, parallel compression is the way to go. But, which are the best plugins for this task? In this blog post, we will break down the three best plugins for parallel compression and show you how to use each of them. <\/p>\n\n\n\n

Waves H-Comp Compressor<\/h3>\n\n\n\n

H-Comp is a hybrid compressor<\/a> that combines the best aspects of digital and analog compression. It’s perfect for those who want absolute control over their sound. <\/p>\n\n\n\n

To use H-Comp for parallel compression, simply insert it on a new track and set it to “Sidechain”. Then, send the signal you want to compress to H-Comp. Finally, adjust the threshold, ratio, attack, release, and makeup gain to taste. <\/p>\n\n\n\n

\"h-comp-parallel-compression\"<\/figure>\n\n\n\n

FabFilter Pro-C 2<\/h3>\n\n\n\n

Pro-C 2<\/a> is an excellent soft knee compressor that can achieve both gentle and hard compression. To use Pro-C 2 for parallel compression, insert it on a new track and configure it as follows: <\/p>\n\n\n\n